So…you want a keyboard, do
you? The first thing you need to decide is why you need
a keyboard. If you are a pianist looking for something
to practice on then your best bet is a digital piano. If
you’re looking for an all-round instrument to compose on
and perform live then you need a workstation keyboard.
We’ll concentrate first on digital pianos.
Digital Pianos
Firstly, you need to consider the sound it makes. If
you’re using it for a replacement piano, it should sound
like a piano! The notes should resonate accurately and
respond correctly to differences in key
pressure.
Secondly, a digital piano should feel like a piano. On a
weighted keyboard, the bass keys should be heavier than
the treble keys. Ideally, you should test the action on
the keys before you make a purchase or seek advice on
the particular model from someone with more experience
if you are unsure. If the action is too heavy it could
result in tired, sore hands after a brief tinkle.
Finally, you need to think about where you will be using
your shiny new piano; at home or for performance. If
you’re looking to use it on stage, you’ll need to get
one with an in-built amp. For home use, an in-built amp
isn’t usually necessary but you should probably consider
one with a headphones socket if you want to remain on
good terms with your neighbours!
Keyboards
Keyboards differ from digital pianos in the range of
sizes; from 25 key (or two octave) models through to
full-size 88 key (or seven octaves and a minor third).
The size you’ll need depends on how much room you have
to spare and the complexity of the music you will be
using the keyboard for. As with digital pianos, key
action varies from manufacturer to model. Some of the
pricier models have graded hammer action to emulate an
acoustic piano action while the cheaper models have the
standard plastic spring-loaded keys which respond
identically regardless of whether they’re bass or
treble. Which you prefer is personal choice really –
some people prefer the hefty “real” feeling of graded
hammer action while some people prefer the even feel of
the none-graded keys. On the shorter models, such as 25
key, where the octaves are transposable, the non-graded
keys are much better.
Above the keys you will find the control panels. The
screen should be brightly lit and clear enough to be
read in low light, ideally centrally placed. The sliders
and fader knobs should be intuitively placed and robust
enough for repeated and frequent sliding and twisting.
Some slide freely and some click by levels, you’ll
prefer which you prefer – free sliding faders allow for
more precise alterations but can become victim to slight
knocks.
Another consideration is the number of voices, styles
and backing tracks you require. If you’re looking for a
MIDI trigger keyboard then less voices (or none at all)
are necessary. If you’re in a space-age electro band and
need a million sound-effects, synth noises and drum
beats, then a large scale workstation keyboard would be
better for you.
Keyboards come with a wide variety of features in
addition to the voices and backing styles. Many now
include USB sockets to hook them up to your computer
and/or SD card slots for adding additional voices,
styles or tracks and for recording your own compositions
directly onto. For the songwriter with their own home
studio, this is a godsend! For absolute beginners, some
keyboards have light-up keys and in-built teaching
software to guide you through the learning process.
Other features to consider include metronome, MIDI
ports, trigger pads, sliders and speakers. Again, for
home use (or use as a MIDI controller) high-wattage
in-built speakers will be less important but become a
necessity for stage use. For live performance use, a
general rule of thumb is 1 watt per person. If you’re
playing a large capacity venue and your in-built
speakers don’t have the necessary wattage, a keyboard
amplifier can be added.
Once you have decided what your keyboard will be used
for, how many keys you will need and what features you
are looking for, you should have a look what is
available from different manufacturers. When you have
decided that, you should buy the best keyboard your
budget will allow. With both digital pianos and
keyboards, the more you pay the better the product.
Pricier models include specialist features that make
them stand head-and-shoulders above the cheaper models
such as graded hammer action, wooden keys, sleek
polished wood cabinets as well as superior electronics.
Cheaper models come into their own if you need something
compact, portable, simple to use. For the best of both
worlds, there are mid-priced keyboards with the quality
electronics in a plastic case, for example.
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